With a deep passion for sound, its analysis, synthesis, and manipulation, his work is always reactive. Through live electronics, he creates dynamic interactions by analyzing the sounds produced by his instrument, the tuba, and the movements of his body. These impulses not only shape the sonic landscape but also generate visual material that continuously evolves in response to the sound itself.
One of his most recent developments is a bufferless real-time granular audio processing, enabling direct interaction with an audio signal and expanding the expressive possibilities of improvisation and sound design. This project, along with a prototype of an artificial intelligence system based on Markov chains for musical improvisation, both developed in Max/MSP, reflects his continuous exploration of the boundaries between the performer, the instrument, and technology.
Additionally, he has collaborated on multidisciplinary projects, including installations, deaf theater, short films, video art, and mixed reality, demonstrating a versatility that seamlessly integrates artistic and technical elements.
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